Thursday, January 21, 2010

Thursday's Thirteen - 13 Stripping Tips



With Valentine’s Day just around the corner get creative and give your honey something other than a box of candy, a stuffed animal, or a sweater. Give an extra special treat that will be unforgettable. Don’t worry… any woman can do a little strip tease. When you do it, you’ll find it makes you feel feminine and sensual.

1. Choose the right kind of clothing. Something that accentuates your most beautiful body parts. This can be a lovely gown or sexy lingerie; just make sure it can be easily removed… avoid too many buttons, or hard to reach zippers that you might have to fidget with.

2. Pick the right panties. The top of the back of your panties should reach no more than two inches above your cheeks. Any higher than that and they give the illusion that your caboose is a lot longer than it is. Try on booty shorts, full bottomed panties, thongs, and g-strings to see which you feel best in. Also, if they leave lines on your body after you take them off, they are too tight.

3. The choice to wear shoes or not is a personal preference, as both looks are sexy. If you do choose to wear shoes, choose them wisely. Stilettos are the perfect choice if you can handle them, as the high heel makes your legs look much longer. If moving gracefully in stilettos is too daunting, dancing with bare feet can also be very seductive. You should stay away from short, one-inch heels. They look great with pants and skirts, but give the illusion of shortening naked legs. Shoes that are too high will also inhibit your movement and may make you fall, so choose shoes that you feel confident wearing. Strapless shoes can be removed gracefully, but if yours need to be buckled, you'll probably want to remove your clothing without taking off your shoes. Almost anything stretchy can be taken off over your shoes, but it would be a good idea to practice first.

4. Add a prop. During your dance, take a large feather and gently tickle him from his cheek and neck down his shoulder to his fingertips without letting him touch you back. Use a nice shawl, wrap, or piece of sheer fabric, to tease him. Wrap it around yourself while giving him peeks. Whipped cream, chocolate sauce, or any other "dessert on you" accessories are great if you want to let him be more than a spectator. If you want to try using a retractable pole, you can also purchase a how-to video for tricks.

5. Set the stage. After you choose the songs you want, make a mix CD or playlist and pay attention to the order of the songs so that you can choreograph your routine and not have to change songs in the middle. Use low, indirect lighting because it is both flattering (making you more comfortable) and more intimate. Achieve the perfect lighting by mixing candles with lamps and colored bulbs. If your room is lacking intimacy, dress it up by draping deep colored valances or adding velvet or satin throws and pillows to your furniture.

6. Get ready. Practice in the mirror, or better yet, videotape yourself dancing so that you can look at yourself and see which moves you like.

7. Dance on your feet and on the floor. On the floor, try opening and closing your legs or leaning your knees from one side to the other. Experiment with different angles.

8. Try caressing yourself when you don't know what else to do. Skim your fingertips over any part of you and he'll be begging for more. Try caressing your breasts the way you like him to do. It will blow his mind.

9. Move in time to the music. Turn around and walk seductively. Give yourself a little spank and wink at your guy. It's naughty, but cute.

10. Use your hair. Men love women's hair. While standing up, kneeling, or sitting, stretch your torso while you pull your hair up and let it fall again. If you have really long hair, arch your back while standing and tilt your head back letting your hair swish your backside.

11. Removing your clothes gracefully can be a challenge. Avoid taking your top off like a man takes off his t-shirt. While it may be sexy to watch them do it, it is quite the opposite for a woman. If you chose something that needs to be removed by slipping it over your head, seductively slip it off by pulling it from the bottom on the sides while standing up tall; don't hunch over.

12. When taking your bottoms off, try slipping them off over your shoes or bare feet while standing straight-legged. Do this by bending over from the waist and guiding them off all the way to the floor and then stepping out of them. If this isn't easy for you, try bending your knees or taking your bottoms off while lying on your back. t is not imperative to remove all of your clothing. Stripping down to a little something sexy is equally as alluring. Remember to do as much as you are comfortable with.

13. Do a lap dance. You can sit next to him and then lean over him with your chest touching his, turn toward the ceiling and caress yourself a little, or turn face down with your shoulder and side rubbing across his tummy and chest. Position yourself on top of him, sitting on your knees on his thighs. This allows you to rise up and down. When rising up, let his nose graze your chest and tummy. You can give him a little squeeze with your breasts as well. When you come down, bring your legs together and slide down to the floor. "Dancing" close to him like this is great fully clothed, partially clothes, in the nude, or partially covered with a wrap. Move your body in time to the music. Simulate what you might do in the bedroom once in a while to really heat things up. Turn around and sit in his lap. Pull up your hair and let yourself lean back to where your shoulders and neck are close to his face. Stroke his hair, the back of his neck, and his chest. Kiss him and let him kiss you.

The most important thing to remember is to be yourself. Having fun being sexy for him is more arousing than any of the particular moves or tricks. Pick and choose the tips from this guide that help you to feel confident and go for it!

Monday, January 18, 2010

Lonely Soul

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Synopsis:
The eldest of the McAlister siblings is responsible and always putting his brother and sister before himself. Now that Erick and Elizabeth were enjoying their married lives, the time had come for Michael Casey McAlister to find his soulmate. A man with a deep sense of family and honor, yet at times could be manipulative and very controlling, always doing what he thought was best for others.

Featured on The Most Dangerous Bachelors list with his brother, but for his love for daring outdoor activities; he searched for a woman who wasn’t a high society princess. With his good looks, wealth and sexual prowess, he has attracted many ladies but when the one he thinks is Miss Right doesn’t like his dog he shows her the door. Lonely and discouraged, he dedicates himself into a New York City community garden project with his friends and busies himself with his comic strip he has created under the name of Mike Casey.

Mike meets Lauren “Wren” Avery with the help of their dogs in the park while he’s working on a cartoon. He sees her as a chance to improve himself and not follow his father’s path of unhappiness. He certainly didn’t expect to fall in love with the graphic artist. Wren falls in love with him as the cartoonist not knowing he is the co-owner of McAlister Enterprises, the same company she works for. He knows he’s being wrong in not telling her the truth but his world falls apart when his love is transferred to the London base and she finds out who he really is. He realizes that in while building the company and interfering in other people’s lives he may have lost control of his own life and what truly matters.




The package arrived that morning before he left for work.

He didn’t bother opening it because he knew it was the portrait Andrew Somerby began painting of him a couple of months ago. Michael had spent the holidays with his family at Hampton House in Sussex, England and stayed while his brother was gone on his honeymoon. During his sojourn he visited the London base of McAlister Enterprises and spent some time with Andrew in his studio. Andrew was in charge of the two Somerby banks in England but was also the famous underground artist known as Puzzola.

Michael was hesitant to open the package. He had seen the portrait before he left London but Andrew would sometimes work on a piece after the model was gone. The fact that artist Puzzola was known for capturing the essence of a person on canvas was what scared him. Andrew had done a self-portrait titled Painted Soul that was sexually charged with emotional frustration. He then did a portrait of Erick titled Tormented Soul which captured the emotional torment Erick held inside as he searched for a normal life.

Michael was afraid to face his soul.

When he got home that night, he changed his clothes and grabbed a beer from the refrigerator. Michael stared at the box for a few moments before he opened it. Carefully he unwrapped the canvas from its protective plastic and placed it on the couch so he could step back to look at it. He picked up a small note card that had fallen out.

“Lonely Soul,” he read out loud. “Oh, boy.”

Raising his eyes to the painting Michael took in the image. He was seated on the floor sketching in a book with his dog Ariel cuddled along his leg; his hand lay on her back, with her head resting on his thigh. His affection for his pet was strong and it showed in the picture.

When he looked into his own eyes he recognized the emotion. Andrew definitely titled it appropriately. He was drawn into his own soul and it was empty, except for a sense of isolation, and loneliness.

He tilted his head as he viewed the piece more intensely. His elbow balanced on his bent knee, his hand held a pencil close to his mouth. While he was in London, Michael decided to quit shaving his face and was pleased with the appearance; Andrew
used soft brush strokes to suggest the facial hair. In the portrait, his head dipped, navy blue eyes looked at him under dark brows, looking as if he were in contemplation.

Knowing Andrew like he did, Michael was sure there was a deeper meaning in the details of the painting so he began to look for clues. Noticing the jeans and cotton shirt, was definitely him. He wore fine suits but preferred to be in jeans and sweatshirts. The sleeves of his shirt were rolled up, a symbol that he wasn’t afraid of work.

The sketchbook and pencil represented his artistic self, something his father discouraged but Mike pursued anyway. Eventually, his father accepted the artistic sides of both his sons and actually began to encourage it. Michael felt the time spent at his drawing table kept him grounded as he built the company. His sister, Elizabeth, had a successful career being a professional painter and owned galleries in Chicago, New York, and London.

Erick painted portraits for relaxation. His style was similar to Andrew’s, probably because they were as close as brothers.
Michael, on the other hand, had a more sketch-like style. He preferred to draw than paint.

Michael continued to scrutinize the picture for symbolism. White shirt, truthfulness and honesty, worn open in a relaxed state; tanned skin, good health and outdoorsman. No jewelry, not even a watch meant that he wasn’t materialistic but the pillow behind him carried the McAlister plaid to show his family honor.

Focusing on his hand holding the pencil, Michael noticed that a finger was resting on his lips. Many times when he’s deep in thought, he has the tendency to touch his lips with a finger. Because of the way his head was slightly tipped, he suspected that was the moment Andrew had captured. He must have been deep in thought, perhaps thinking of the sketch, and just looked up for an instant.

When he looked into his own eyes he recognized the emotion. Andrew definitely titled it appropriately. He was drawn into his own soul and it was empty, except for a sense of isolation, and loneliness.

Michael shook his head in attempt to view the painting differently. In the portraits Andrew had done of himself and Erick, there were ghost-like suggestions of a woman surrounding the subjects. Michael found no suggestions in his portrait. He was
alone, like he was in real life. Then he noticed a simple sketch made on the book in the painting.

Leaning toward the canvas, he tilted his head for a better view. It was a drawing of him and a woman in a lovers embrace. The woman had hair just past her shoulders and an athletic build. He smiled and wondered how Andrew came up with such an image. Perhaps he would find his soulmate through his own art. Michael continued to smile at the thought and picked up his gift.

A wall had been prepared for the special piece for months. He took a moment to pound a nail into the wall and then tenderly hung Lonely Soul. The painted eyes still made him feel uncomfortable because what the portrait told him was true. He was
lonely.

Ariel pawed at his leg impatiently. It was past the time for her daily walk in the park. Michael grabbed his backpack, tossed in a Frisbee and water bottle. As an afterthought, he added a couple of pencils and a sketchbook.


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Thursday, January 14, 2010

Thursday Thirteen - 13 Places to Nibble



Everybody likes a kiss that is full of sensuality; but try turning up the heat a bit and add the spice of sensual biting. A kiss is more than a just kiss with a nibble, it becomes irresistible and a tantalizing key of seduction.

Imagine a soft kiss, running your lips over your lover’s skin. Opening your mouth only enough to allow your teeth to graze the area you are kissing. Take a small bit of skin into your mouth – don’t pinch or bite too hard. Give your lover chills not sharp pains… unless you’re both into that kind of thing. Balance kisses, licks, and bites…some gentle, some harder. Pay attention to your lover’s reaction.

Don’t drool or leave bite marks. Focus on the erogenous zones.

Good Nibble Places

1. Nipples
2. Neck – all sides
3. Try kissing & nibbling the neck from behind… hmmm….
4. Ear – just don’t breathe into the ear… the sound of loud, heavy breathing isn’t romantic


5. Inside of the thigh
6. Inside of the knee
7. Inside of the elbow
8. Underside of the wrist
9. The muscle along the backbone
10. Back of the shoulders

11. The hip bone and down toward the crease where your lover’s leg begins

12. Lick & kiss your way along the ribcage, under the arm, with little nibbles
13. In the peak of a heated moment, being bitten on the shoulder can be highly erotic


Where’s your favorite place?

Friday, January 8, 2010

Vote for Lonely Soul


Lonely Soul has been nominated for an award on Editors and Preditors. Visit P & E to place your vote. The books are listed in alphabetical order. Vote, then you have to give your name & email. You'll receive an conformation email which you have to respond to. I'd appreciate your vote.

Thank you!
Hugs & Chocolate,
Mary

Thursday, December 17, 2009

Thursday Thirteen - 13 Hotties from my File



I woke up this morning and realized it's Thursday and I forgot to make a list. I couldn't think of anything so I'm simply pulling up some photos from my files that give me inspiration when I'm creating characters. I hope you don't mind my forgetfulness.

1. This yummy fellow looks like my character Chet Keller.



2. This would be the young Duncan McAlister in Fortunate Soul.




3. This has to be the body of Michael McAlister.









4.Erick McAlister can seduce a woman with a whisper.











5.Steve Keller is a man hard to catch, but when you do... lick him all over.










6.




7.Rob Ashton.RIP. I wanted him for the Painted Soul cover.



8.The Painted Soul










9. Puzzola's intense sexiness was the result of watching Queen of the Damn way too much.









10.
This pic makes me want to write something other than contemporary romance.


11. I'm a little tongue tied with this one.











12. Trent was the inspiration for Trevor Dillinger.










13. My muse.


*sigh* There are so many more...
My muse put his wings away and helped decorate for the holiday.

Uhm.... you'll have to excuse me now.